P G Dastider

The origin story of James Bond. Experience the high-stakes espionage and stealth infiltration that will earn James his legendary '00' status.

The most ambitious RPG ever shipped. Larian built a game where every decision is genuinely consequential, every companion has a full arc, and the sheer volume of reactive storytelling borders on the absurd. I still find things I missed in previous playthroughs.

Act 1 alone is better than most complete games. The full thing is a miracle of scope and craft.

Breathtaking visual spectacle — ufotable's action sequences are genuinely unmatched. The story is relatively straightforward but the emotional core (Tanjiro's unconditional love for his sister) is earnest and effective.

The Mugen Train arc is among the most visually stunning things ever animated.

Superhero stories don't usually have real stakes. Invincible has very real stakes, established memorably in the first episode's final minutes. What follows is a deconstruction of the genre that never loses sight of what makes it compelling in the first place.

The animation qualit

Tanim Noor adapts Humayun Ahmed's *Kichhukkhon* into a gentle, fog-wrapped ensemble piece set aboard a night train. The premise is classic Ahmed — strangers thrown together, lives briefly intersecting, ordinary people carrying the weight of unspoken things.

Mosharraf Karim and Chanchal Chowdhury are reliably excellent. The film earns its sentiment without forcing it. A comfortable, well-made Eid release that respects its source material.

The second half of Aditya Dhar's duology. Where the first film was about infiltration and architecture, the revenge chapter is about collapse — both the nexus Hamza helped build and the man himself. Ranveer Singh carries the weight of the earlier film's moral compromises into this one, and it shows.

Doesn't quite reach the controlled menace of Dhurandhar, but it's a worthy, punishing conclusion to the story. The Lyari sequences are brutal in the right way.

The movie was okay. It was funny at times. Some comedy however felt short. The plot was yet again an origin story, which played out pretty lame. There were better stories in He-Man universe, I wish they will adopt some of those next time. There was a tragedy scene that was dragged way too long than necessary. In my mind the transformed He-Man was quite smart and confident. Here, He-man feels clueless and holds the lack of conviction. However, at a place He-man explained the characters naming from his perspective. That was really well done. All in all it is for me a bit more than average film, not a great one.

Siam Ahmed commits fully to the role of Russo, a professor pushed past his limits into brutal vigilantism, but the script doesn't give him enough to work with. The film mistakes grimness for depth and volume for tension.

The Eid release timing probably helped at the box office, but *Rakkhosh* is a frustrating watch — the bones of a compelling premise buried under formulaic action beats and underdeveloped antagonists.

A body-swap adventure following Ollie (a sea otter-like Pookoo) and Ivy (a bird-like Javan) who must work together to switch back and protect their valley.

A group of clever sheep take an investigation into their own hooves to solve the mysterious death of their beloved shepherd.

The sequel takes Mario into space and leans harder into the video game mythology than the first film dared to. The Rosalina subplot adds some unexpected emotional texture, and the Bowser Jr. dynamic gives Jack Black's Bowser more to play with.

Brighter and busier than its predecessor. Not quite the step up you'd hope for, but consistently fun and visually spectacular in the way only Illumination can do on this budget. Kids will love it; adults will be entertained.

Aditya Dhar follows up Uri with something leaner and meaner. Ranveer Singh disappears into Hamza — not the Ranveer of comic-book energy and showmanship, but something quieter and more dangerous. The Karachi underworld sequences have genuine menace, and the film builds its dread methodically.

Where Uri was chest-thumping, Dhurandhar is clinical. That restraint is what makes it hit harder.

Currently watching episode 4.